Welcome again!

The World War One Historical Association blog went dark three years ago because of a shuffle, and now I have shuffled back. I am Susan Hall-Balduf, daughter, granddaughter, etc., of a citizen soldier family going back to the American Revolutionary War. My brother received a Bronze Star for Valor for his actions in Vietnam, and my nephew — his son — fought in Fallujah, Iraq, as a Marine. (Our only Marine. None of us knew what to make of that.)

My Great-Uncle Elmer fought in France with the 35th Division, which was organized at Camp Doniphan, Okla., in August 1917 from units of the Kansas and Missouri National Guards. The Division fought in the St. Mihiel Campaign and in the Meuse-Argonne Offensive, where on Sept. 29-30, 1918, it was virtually destroyed in the village of Exermont, northwest of Verdun. Great-Uncle Elmer was shot through the throat and gassed in that battle, one of 6,006 casualties. The 1st Division took the town on Oct. 1.

Here’s a link at Doughboy Center’s website to an excerpt from Robert H. Ferrell’s book Collapse at Meuse-Argonne: The Failure of the Missouri-Kansas Division that describes why the 35th had such a hard time. Here’s more on the Meuse-Argonne Offensive from the website of WW1HA President Randal Gaulke: https://meuse-argonne.com/

Here’s a link to images of Exermont then and now, from Andrew Pouncey’s website War Untold.

The WW1HA blog will wander through the First World War as I continue my own research. I hope I touch on subjects you are particularly interested in. Please share your thoughts in the comments.

New WWI memorial

From the (American) World War I Centennial Commission:

On Thursday Nov. 9 at 11m. (Eastern), the @WW1CC will host a small ceremonial groundbreaking event at Washington, D.C.’s Pershing Park, to thank our partners and supporters.

The event will feature distinguished leaders, well-known guest speakers, and music from the U.S. Army’s Pershing’s Own brass quintet. Our shovels will turn earth that came to us from the World War I battlefields of France.

The event will be streamed via Facebook Live at https://www.facebook.com/ww1centennial

To see the latest designs and support the construction of America’s World War I Memorial, please visit ww1cc.org/memorial. #CountdownToVeteransDay

The 2016 Tomlinson Prizes

The World War One Historical Association (WW1HA) annual Norman B. Tomlinson, Jr., prize for 2016 for the best work of history in English on World War One (1914-1918) has been awarded to three exceptional historians:
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Dennis Showalter for his “Instrument of War: The German Army 1914-1918″ (Osprey Publishing);
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Michael S. Neiberg for “The Path to War: How the First World War Created Modern America” (Oxford University Press), and
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Graydon Tunstall for “Written in Blood: The Battle for Fortress Przemysl in WWI” (Indiana University Press).
This is the second time that multiple books won the Tomlinson prize. Three 2010 titles shared the award presented in 2011. For the books published in 2016 the editors of WW1HA’s publication, World War One Illustrated, chose the three winners since all three authors have served in the past as judges on the Tomlinson award committee and recused themselves for 2016.
The prize consists of a cash award and original bronze plaque sculpted by Andrew L. Chernak, a U.S. Army Vietnam War veteran whose sculptures are installed at Arlington Cemetery and state and private parks:
It is made possible through a grant from Norman B. Tomlinson, Jr., Director-emeritus of The Western Front Association – United States Branch. (WFA-US became the World War One Historical Association in 2011.)
Previous Tomlinson award winners, World War One centennial events and projects, and much more can be found at https://ww1ha.org/lens-bookshelf/the-tomlinson-book-prize/

Here come the Yanks: April 6, 1917

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The U.S. Congress declared war on Germany on April 6, 1917, bringing America into the war that had consumed Europe and dragged in countries on every continent, including Japan.

The National World War Museum and Memorial will commemorate the anniversary today with a ceremony at the museum that will tell the compelling story of the U.S decision to enter into the Great War through a unique multi-media program including significant and representative American writings of a century ago, including selections from speeches, journalism, literature and poetry, as well as performances of important music of the time. Invited participants and guests include the President of the United States, international Heads of State and diplomats, military leaders, veterans’ organizations, and national and state elected officials.

President Donald Trump will not attend as he will be hosting Chinese President Xi Jinping today.

The commemoration will include flyovers by U.S. aircraft and Patrouille de France, the precision aerobatic demonstration team of the French Air Force, as well as the U.S. First Infantry Division Band and Color Guard, Native American Color Guard, and Army and Air Force legacy units that served during World War I.

You can livestream the ceremony at https://www.theworldwar.org/april6.

 

 

 

Pack your little kit, show your grit!

Do your bit! It’s not too late to join up  — on the 2017 trip to the battlefields in France. From Meuse-Argonne.com:

Hello, readers!  Space is still available on the World War 1 Historical Association’s June 2017 Pilgrimage to the Western Front, but the deadline for reserving your seat is December 31, 2016!  So don’t put off your decision-making too long; and please share this post with your friends who might be interested in the tour!!  Details can be found at our website:  http://ww1ha.org/2017-ww1-battlefield-pilgrimage/.

Tour Guide’s Skill Set

This tour is being led by webmaster Randal Gaulke.  Many readers know that Randal has been traveling to the American battlefields of France almost annually since 1986.  In planning the 2017 tour he has been working with Paul Guthrie and John Snow, both directors of the WW1HA, to plan the tour.  Paul has organized / overseen seven tours for the WW1HA and its predecessor organization, and John Snow has traveled to the area frequently, too.  Randal has outlined his experience in an October 8, 2016, blog post that can be accessed here:  http://meuse-argonne.com/?p=1603.)

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Randal Gaulke gives a talk in 2007 on the map in the Mont Sec Memorial to U.S. troops in the St. Mihiel Salient. (Blogger’s note: That is Susan in the center of the photo with the suspiciously red hair.)

Endorsement From a 2017 Participant

Through this website, Randal also has the opportunity to help planning trips, including Valerie Young; who is booked on the 2017 tour.  She has written this endorsement:

Randy has been an invaluable resource to me this year in the planning of my personal journey to the Meuse-Argonne to bring to life the grandfather I never knew. His website was my initial introduction to his vast knowledge of the history and geography of the area. His recommendations for books, maps, other websites, and travel insights were tremendously helpful. We then had a lunch meeting where I shared my ideas about an individual journey; his great awareness and input validated my confidence and respect for him, his commitment to the Meuse-Argonne, and his desire to enable others to experience it as he has for so many years.

With Randy’s help, I was able to “follow in the footsteps” that my grandfather took nearly 100 years ago. Randy helped me find a guide/driver and accommodations, and provided important information on specific battlefield monuments and sites related to my grandfather’s infantry unit. His detailed knowledge of the area is essential to anyone planning a trip there. I am now writing about my grandfather’s military journey, and look forward to joining the tour in June 2017.

Making It Personal to the Participant

All of the organizing and presentation of history aside, there comes a time on a tour when a person is just struck by something that resonates with his / her soul–and that is why reading history or exploring Google Earth does NOT provide the same experience as a pilgrimage!

For the webmaster, one such occasion was listening to a Volksbund (German War Graves Association) employee talk about the last (annual) visit of an aging spouse to her husband’s grave at the cemetery.  She knew she would be meeting him again soon.

For two members of the 8th Kuerassier Regiment on the 2005 tour, it was touring Helly Ravine near Fort Douaumont.  Following their visit, they questioned whether reenacting was just playing cowboys and Indians; and they had a new-found understanding of the terrible conditions for the soldiers during the Verdun battle and during the Great War in general.

Additional Information on the Guide

In addition to presenting the events and their significance, the battlefield tour guide must become quite proficient in logistics:  One has to schedule visits, hotels, bus timing, etc.  To do this, one has to know the region and its people and be able to speak the language.  One also needs to be organized, to be financially savvy and to understand how to model / consider risks.

Randal has all of these qualifications.  He has arranged many details  for the second half of the 2007 Western Front Association USA Branch’s tour and other tours.  Randal was the coordinator for the WW1HA’s 2015 Symposium in Lisle, Illinois; which featured eight speakers and almost 100 participants over two days.  Randal’s profession as a high-yield bond analyst and his work as Treasurer of the Great War Association, Chairman of the Finance Committee at his previous church and Treasurer of Troop 56 BSA Millington, NJ has also helped him develop the skills necessary.

Again, it needs to be emphasized that Randal worked with the WW1HA and its directors to plan the trip.

Take Action Today!

Please reserve your space today;  Please tell your friends about this opportunity;  and please contact Randal with any questions:  lavarennes@meuse-argonne.com or 908-451-0252.

 

News from the U.S. World War I Centennial Commission

The U.S. World War I Centennial Commission has picked ‘THE WEIGHT OF SACRIFICE” for the new national World War I Memorial project.

“THE WEIGHT OF SACRIFICE” was selected from a group of five Finalists and culminates an open, international design competition that has run since May 2015. The Commission’s decision endorses the recommendation of the design competition’s independent jury.
“We were thrilled by the quality and creativity by all the submissions in this competition,” stated Commissioner Edwin Fountain, who directed the competition. “This selected design concept reflects a high level of professional achievement.”
Imagery of “THE WEIGHT OF SACRIFICE,” and of the other four Finalists, can be found here  www.ww1cc.org/selection
The design concept was submitted by Joseph Weishaar, an architect-in-training currently located in Chicago, Ill., and collaborating artist, veteran sculptor Sabin Howard, of New York. Mr. Weishaar received his professional architecture degree at the University of Arkansas in 2013.
Mr. Weishar’s full professional team, necessary to implement the design concept, includes the Baltimore architectural firm GWWO Inc.; landscape architect Phoebe Lickwar, and engineering consultants Henry Adams LLC, Keast & Hood and VBH.
Regarding the World War I Memorial, Commission Chair Robert Dalessandro stated, “Those five million Americans who served in uniform during World War I literally changed the world. This new landmark in our nation’s capital will be a worthy expression of their great legacy.”
The location for the new World War I Memorial is Pershing Park, in downtown Washington, DC, bounded by Pennsylvania Avenue and 14th and 15th Streets NW. The park is one block from the White House, adjacent to the Willard Hotel and the District of Columbia’s Wilson Building.
This site was designated by Congress in 2014. The Centennial Commission is a Congressional Commission set up in 2013 to ensure a suitable observation in the United States of the centennial of World War I.

Book review: Freedom Struggles

Crowds waiting for the parade of the famous 369th [African American] Infantry, formerly 15th New York regulars, New York City. From the U.S. National Archives.

Crowds waiting for the parade of the famous 369th [African American] Infantry, formerly 15th New York regulars, New York City. From the U.S. National Archives.

Review by Len Shurtleff, WW1HA president

Freedom Struggles: African-Americans in World War I. Adriane Lentz-Smith, Harvard, 2009, 318 pages, illustrations, index, notes, ISBN978 0 647 03592 8, $35 cloth. The author is a Professor of History at Duke University.

This is an elegant yet powerful social history of a crucial point in America’s history. The author identifies the decade of World War I as a watershed in black America’s fight for political equality and social justice.

Heeding the call of leaders such as W.E.B. DuBois, African Americans volunteered in large numbers for military service in hopes of validating their claims to full citizenship. As many as 200,000 served overseas in WWI mainly as laborers, construction workers and stevedores. Unfortunately, the Army enforced the segregated Jim Crow social norms of the Southern and border states, both at domestic training camps and overseas in France.

Many thousands more black people moved north to escape segregation, work in war industries and seek new educational opportunities, sparking racial tensions there as well.

The Wilson administration was not sympathetic to the calls of the newly founded (1909) NAACP for full citizenship for black people and, indeed, proceeded after 1913 to segregate the federal government, which had previously largely integrated its work force and opened post office and other patronage jobs to black people in the South. Though France had its own peculiar racial mores and barriers,white Army officers and politicians feared that French men (and particularly women) would undermine their efforts to keep black Americans under Jim Crow regimens.

Service overseas brought young African Americans in contact with many other men of color from Asia, the Middle East, Africa and the Caribbean, widening their horizons and opening their minds to the concept of a vibrant African diaspora. Returning home in the “Red Summer” of 1919, black veterans found little had changed in American society.

The Red scare, which came in the wake of the November 1917 Bolshevik Revolution, was accompanied by widespread racial violence. Some 38 violent riots rocked American cities from Detroit to Omaha. Black soldiers were lynched in the South. The Ku Klux Klan rode again in the North and Midwest. Expectations of birth of a new freedom for African Americans were crushed.

On the positive side, it was also a period during which African Americans developed the sophistication they would need to expand the fight for equal rights. What was hoped for after 1919 was demanded and won after 1945 by determined and patriotic African Americans who had learned from the Great War.

Book Review: “War’s Waste”

amputees blogOn Nov. 11, while the rest of the countries involved in WWI hold Remembrance events, the United Sates celebrates Veterans Day. Sometimes there are parades or ceremonies honoring the flag; sometimes the day passes only with the banks and post office being closed and kids getting  day off school.

Caring for veterans is a serious concern for any country. Here Len Shurtleff reviews Beth Linkner’s book about the aftermath of WWI.

War’s Waste: Rehabilitation in World War I America, by Beth Linker, University of Chicago, 304 pages, photos, tables, index, ISBN 978 0 2264 8253, $35.

Review by Len Shurtleff

In post-Civil War America, veterans’ pensions were the largest line item in federal budgets, taking up some 50% of that budget by 1900. By 1915, these pensions had cost $3 billion, more than the cost of the war itself. According to Linker, this created a virtual pork-barrel welfare state for Union veterans of about $3 million annually.

These pensions and an accompanying system of national soldiers’ homes had support from the politically powerful Grand Army of the Republic (GAR), the Union veterans’ organization upon whose patronage Republican politicians depended for votes and campaign funding. Progressive Era reformers saw this as wasteful of public funds and a disincentive to productive work and self-improvement among veterans.

The outbreak of World War I prompted progressive reformers to apply their social gospel and work ethic ideals to veterans’ benefits in an effort to reduce the drain on the public purse. The War Risk Insurance Act of 1914 created a new board to adjudicate claims for war damage or loss that was independent from the corrupt Treasury Pension Bureau.

The system grew in complexity with America’s entry into the war in 1917, adding provisions for mandatory allotments for dependents, life and disability insurance, and mandatory restorative rehabilitation for wounded troops.

The aim became one of rehabilitation; returning wounded men to productive civilian lives, teaching them new skills if necessary and providing amputees with serviceable prostheses.

As a result of this dramatic turnaround in treatment of wounded veterans, the Army Surgeon General’s Office constructed some 149 new hospitals with 100,000 beds with ample facilities for treatment and long-term rehabilitation. Amputee veterans were looked upon not as objects of pity, but as candidates for total rehabilitation and reintegration into civilian life as productive wage earners and husbands and fathers rather than swelling the welfare rolls.

Still, this new effort saved no money. By 1920, the federal government was spending as much on World War I veterans it was on Civil War survivors, and veterans benefits still took up half the federal budget.

By 1935, New Deal recovery programs had, of course, vastly reduced this share as federal budgets expanded mightily.

This system now is a complex mix of war risk insurance, physical rehabilitation and vocational training managed by the Department of Veterans Affairs. The several iterations of the post-World War II GI Bill have added both benefits and costs that dwarf any previous veteran pension scheme dating back to the War of 1812.

“And We Were Young” update

Minolta DSCHere’s the news from “And We Were Young” film animator/director Andy Smetanka:

After two and a half years, I am 93% finished with the animation: just four more Super 8 cartridges to get through (that’s about 12 minutes). Compared to the three hours of footage I’ve already filmed, it hardly seems like anything at all. Three hours of Super 8 animation equals approximately 216,000 individual frames. The film will be between 80 and 90 minutes long.

Mustard gas. Monkey meat. Nerve-shattering bombardments, scything machine gun fire, furious hand-to-hand combat. Urban fighting, woodland fighting, headlong plunges through golden grain fields. If it was in the experience of the average American Doughboy in WWI, it’s in my movie, made entirely out of paper and filmed one frame at a time.

The battles — Cantigny, Belleau Wood, the Meuse-Argonne — are thoroughly filmed at this point. What remains is a good detail of detail work (adding more horses and airplanes, basically) and fleshing out the Transatlantic voyages to and from France. Almost everything I need is already designed and cut out. I just need another month or so to to film it all. It was a good idea (though completely accidental) that I decided not to shoot the film in chronological order; I’ve gotten better as I’ve gone along, and the opening scenes should be much stronger for that.

Next (meaning hopefully by September) comes the “sound phase” of the project begins. I don’t know how long it will take composer Jason Staczek to complete his work, but for me things should start going a whole lot faster with the animation out of the way. Christmas? Not out of the question. My solemn vow is to have some version ready to show at our local (Missoula, Montana) documentary film festival in February.

What is this paper-puppet-and-tissue paper war movie actually going to look like? You can see some scenes here, nestled toward the end of my online demo reel. As you’ll notice, I’ve had some other things keeping me busy these past 2.5 years as well:

https://vimeo.com/86969052

I urge interested persons to get in touch with me at the address below to request a more extensive private peek into the work-in-progress. I would also encourage people interested in supporting this project (which has so far scraped by on a successful 2012 Kickstarter campaign and a small grant from the state film office) to contribute in the coolest way imaginable: by buying a custom-made silhouette cameo. There are two ways to do this: by purchasing the service in my And We Were Young-themed Esty shop linked here, or by contacting me directly at the e-mail address below.

https://www.etsy.com/listing/194201877/be-a-silhouette-character-in-my-animated?

What could be better than the combined satisfaction supporting the most amazing movie ever AND getting to make a personal silhouette appearance in it? But the offer won’t last: when I set down my X-acto knife at the end of August, the window is closed.

andwewereyoungfilm@gmail.com

Somewhere In France, 6/9/1918

Here are letters I can read.

Soldiers' Mail

Somewhere in France

June 9, 1918

Dear Mother and Father:

We have changed our location since I wrote you last. As I told you in my last letter we didn’t expect to stay where we were very long. We were there just a week. We didn’t do anything but loaf around there. When we came there the camp was crowded with the soldiers that came across with the same convoy that we did. After the camp itself was filled they put the new arrivals out in the nearby fields. We were about the last to leave of the men that came over with us. But as we came away there were other ships in the harbor unloading men. Men are coming over as fast as they can be taken care of, and faster than I had any idea of.

It is a little over a week ago that we packed…

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