After two and a half years, I am 93% finished with the animation: just four more Super 8 cartridges to get through (that’s about 12 minutes). Compared to the three hours of footage I’ve already filmed, it hardly seems like anything at all. Three hours of Super 8 animation equals approximately 216,000 individual frames. The film will be between 80 and 90 minutes long.
Mustard gas. Monkey meat. Nerve-shattering bombardments, scything machine gun fire, furious hand-to-hand combat. Urban fighting, woodland fighting, headlong plunges through golden grain fields. If it was in the experience of the average American Doughboy in WWI, it’s in my movie, made entirely out of paper and filmed one frame at a time.
The battles — Cantigny, Belleau Wood, the Meuse-Argonne — are thoroughly filmed at this point. What remains is a good detail of detail work (adding more horses and airplanes, basically) and fleshing out the Transatlantic voyages to and from France. Almost everything I need is already designed and cut out. I just need another month or so to to film it all. It was a good idea (though completely accidental) that I decided not to shoot the film in chronological order; I’ve gotten better as I’ve gone along, and the opening scenes should be much stronger for that.
Next (meaning hopefully by September) comes the “sound phase” of the project begins. I don’t know how long it will take composer Jason Staczek to complete his work, but for me things should start going a whole lot faster with the animation out of the way. Christmas? Not out of the question. My solemn vow is to have some version ready to show at our local (Missoula, Montana) documentary film festival in February.
What is this paper-puppet-and-tissue paper war movie actually going to look like? You can see some scenes here, nestled toward the end of my online demo reel. As you’ll notice, I’ve had some other things keeping me busy these past 2.5 years as well:
I urge interested persons to get in touch with me at the address below to request a more extensive private peek into the work-in-progress. I would also encourage people interested in supporting this project (which has so far scraped by on a successful 2012 Kickstarter campaign and a small grant from the state film office) to contribute in the coolest way imaginable: by buying a custom-made silhouette cameo. There are two ways to do this: by purchasing the service in my And We Were Young-themed Esty shop linked here, or by contacting me directly at the e-mail address below.
What could be better than the combined satisfaction supporting the most amazing movie ever AND getting to make a personal silhouette appearance in it? But the offer won’t last: when I set down my X-acto knife at the end of August, the window is closed.